Time to be Thankful: A 2020 Wattletales Retrospective

On Reflection

Despite a year of COVID-19 uncertainty, with possibly more to come, Christmas remains the time to give thanks. In Australia, we gather in December to appreciate each other, share gifts, and find joy. It is also when suicide rates peak, family tensions rise, achievements are found wanting, and loss is rendered more poignant. For good or bad, as we move towards a new year, Christmas offers a moment for reflection, a time to look back to relish, reject, assimilate, and prepare for the future. This post then is Wattletales’ 2020 retrospective.

Since July, during one of the most uncomfortable times in our collective history both health-wise and politically, 12 generous and creative people have shared stories with Wattletales as guests. I am grateful to everyone who spent the time and energy and dared to reveal parts of their lives with us, bringing joy to us all. Thank you.

Our contributors have diverse interests, backgrounds and lives but, as a whole, their stories make Wattletales an authentic collection of Australian tales.

Many of our guests are members of Friendly Street Poets, TramsEnd Poets, Gawler Poetry at the Pub, Sand Writers and Fleurieu Poets, both in Goolwa, and Ochre Coast poets at Seaford. Some are people I knew when I was teaching Life Writing in Aldinga Beach a few years ago. All have contributed in special ways to my growth as a poet, writer, and blogger.

2020 Guests July to September

July

In her poignant story, Loving and Losing a Dog, Maria Vouis takes us back to 2013 in the Murray Mallee where her beloved Oonah played joyfully in the wheat with her mate, Duke. Maria’s piece celebrates those memories of Oonah who died this year and commemorates her beloved pet by exploring the wonderful wolf-nature of dogs.

Julie Cahill’s piece, I am a Writer brought us a portrait of her childhood in the UK. She writes of her joy at being a wife, mother and businesswoman on the lovely Fleurieu Peninsula. Julie’s revels in poetry and is writing her life story; Ten Pound Pom. Her words are often playful. We will meet Julie again in 2021 as her creativity turns to art.

August

In More Than a Nutshell, Veronica Cookson explores her satisfaction with retirement. After dipping into her past, she first takes us travelling with her camera and poetry. Then we learn of her contentment, living in Moana with husband, David in their historical cottage by the sea surrounded by books, poetry, art, jigsaws, lorikeets, rosellas and magpies.

Carolyn Gorton introduces us to her Muse, Puss-in-Boots, an august teddy who accompanies her to gigs and meetings. In I Love Words, Carolyn talks about being a writer and tells us that one of her favourite things is being a coordinator of Gawler Poets at the Pub and working with other poets and writers. She produces several blogs on diverse topics which you can find here.

September

In Life is a Journey of Exits and Entrances, Martin Christmas takes us on a wonderful journey through school, where he was told he would never be creative, and from dyslexia to high creativity. Martin is, among other things, an experienced theatre director, photographer and published poet who shares his energy giving workshops and supporting others in their creative endeavours.

September saw two posts from Kerry Rochford whose life was turned upside down by circumstances that saw her mother again after her children had grown. Her first piece, This Unwritten Life, explores her youth and early womanhood filled with words and stories. After studying creative writing, Kerry’s story takes a turn towards art and artistic embroidery as she describes in Art as meditation.

2020 Guests October to December

October

Ivan Rehorek brought October in with a bang, introducing fiery poetry and stories of war in Stories from the Six Directions; part fiction, mostly fact. Avalanche (as he is known) shares aspects of his early life in Poland before migrating to Australia. Poignant and painful memories reside in this piece, alongside music and joy.

November

Luisa Redford brought us a delightful November tale about mindfulness and the way she approaches nature with wonder and awe. In this atmospheric piece, The Words and Worlds of Life Writing Luisa speaks of the joy she feels, writing other people’s stories as a ghost-writer and life-writing coach. You can discover more about Luisa and her work here.

In Trying to Retire visual artist, Liz Hirstle holds back her disappointment in having to postpone her dream of relocating to France during COVID-19. She also brushes past the fact that, as an artist, she now has vision problems. For Wattletales, Liz turns her pen to humour and entertains us with some strange behaviours she encountered among guests at her B&B in the Adelaide Hills.

Our third guest in November, Belinda Broughton, brought a poignant yet jubilant tale of losing her home to the 2019 Cudlee Creek bushfires and the slow process of recovery; for herself, her husband, Ervin, and for nature while waiting for their new house to come into being. Interwoven with poetry, this story also brings poignant moments in Belinda’s imagined letter to her mother.

December

The last guest post for 2020 is, We Were Poor, But I Felt Rich by Jude Aquilina. Jude takes us through a sensual childhood of love, curiosity and inspiration, especially from her father who read poetry, loved antiques, and fixed clocks. She also introduces us to her love of one very adventurous grandmother. It will come as a surprise to learn that Jude did not set out either to be a writer or a poet; it all began with Flim Flam telegrams.

Just For Fun

My Posts 2018-2020

I began my monthly posts in 2018 talking about Realising Dreams Late in Life. After that, I questioned entrenched understandings about writing for a web page before exploring the relationship between poetry and my life which brought my family and me into things.

Since the advent of Guest Posts this year, however, my posts have increasingly become biographical vignettes, albeit with a literary twist. This amuses me because, when I presented the first draft of my introductory blurb for Wattletales at a workshop, it was denounced for being too personal. I was informed that nobody would be interested in me as a person (rather than a profile) and only the famous can get away with writing about themselves.

I disagreed with that proposition then as When Purposes Collide attests, and even more so now. We must put on the page what we need to say and, this year, my guests have shown that talking about your life is OK, and I have found it freeing to be real on the page.

Landscapes of Mind

In this post, I acknowledged my Buddhist perspective and how I find my history in the landscape. I have lived in many places as I showed in Dislocation. But no matter where I drive, walk or live, my surroundings trigger memories of the past; times, places, events and people. It makes me very busy at times! But, never lonely.

How Can We Know Our Mother Except in Stories

By conjuring my mother’s life, I explored how little we know our mothers as people. Reciprocally, I asked how little they really know of us. In the end, we can find each other in memories and memorabilia, the mnemonics of good times and bad. After all, we are all stories to one another. We hear and see only from our perspective, even when we love so hard, it hurts.

It’s All In The Title

I had great fun with this post. In it, I tried out a few opening scenes for the three novels I hope to publish before I die. And, a couple of poems.

I also wrote two naughty tales and added a sprinkling of home truths among the wattle…

…all in defiance of teachers who said I would never amount to much.

Roll on 2021

I won’t give away my 2021 secrets except to announce that Wattletales’ Guest Posts will recommence on Wednesday 6 January; at this stage with contributors through till early March.

A Poem to Finish With

This is the only Christmas poem I’ve ever written. It is based on my father’s last Christmas at the Adelaide War Veteran’s Home in Fullarton. It brings this post to an end with mum, dad and a sprinkling of me.

Merry Christmas and Happy New Year and, Remember…

When you write, get real. Someone once told me years ago, to ‘get out of your head’. It took a while for me to understand what that meant. The minute I got it, life surrendered itself to me, and I became myself.

To be authentic on the page is an art and one worth cultivating. Only when we have kernels of truth should we edit and hone our stories using any tool, trick or literary magic we can to give our readers a journey of their own.

See You in 2021

We Were Poor, But I Felt Rich by Jude Aquilina

Music, Poetry and Cats

I grew up with music, poetry and cats. My father, Kenneth Ramsey, was a mechanical engineer and he fixed clocks at home. He always had the wireless on or played classical records on his radiogram. Our backyard was full of racing pigeons, bantams and cats. I see the picture of me holding our cat in an uncomfortable position. Who was that girl? Perhaps that is why I write, to make sense of the past. I know I loved our rambling garden, sitting down in the chook coop and sticking my feet in the drum of wheat, or licking dew drops from nasturtium leaves.

Who was that girl?

We were poor, but as a child, I felt rich and never knew how poor we were until later because I was loved, fed — and clothed in rather cool hippie clothes from op-shops. It was the sixties, and I grew up with inspirational singer-songwriters like Leonard Cohen and Bob Dylan. My father loved poetry and had bookshelves full of it. He read poems to me from an early age. My mother, Joan Ritchie, was a country girl with a Yugoslav father, and she was a wonderful storyteller. She read to me every night — I liked scary stories like Little Dog Dingo and the Hobyahs, and The Mystery of the Green Ghost. Words from poems and stories swirled in my mind at night.

On Hating School and Forgotten Memories

My father didn’t allow TV, and we didn’t have a car, so riding my bike, reading and listening to songs, stories, and poems was my life. My mother made up stories about my brothers and I and told them with great expression, often scaring the shorty pyjamas off us! I enjoyed primary school and still have my best friend Yasmin to share memories with. We played recorder for Magill School and were chosen to play at the Festival Theatre. I never thought of becoming a writer.

I thought writers were born special people and I wasn’t… but I did make my own little books. I’d stick in favourite chicken feathers and cat whiskers and write about my pets. Here is a poem about growing up and all those things you think you’ll never forget, yet they become increasingly hazy.

Winner of the 2016 Adrien Abbott Poetry Prize: But in the end, for its grace of language, idea and form, “Adrift” stood out. Congratulations Jude Aquilina. Lovely poem….” Mark Tredinnick  Published: Speak Out No 6, 2017

I hated high school and only attended a day or two a week. Fortunately, my mother was kind and let me stay home. I made sure I attended exams and important lessons. I liked art, biology and English but detested maths and sport. I had pen friends and liked doing crosswords. I was never asked to write a poem in primary or high school. However, I kept reading the poetry books my father gave me, little suede-covered books with poems by the English masters and others.

Most people had never heard of my favourite poets, like Christina Rossetti, Charles Kingsley and John Greenleaf Whittier. It was like I lived in a different era, with all Dad’s clocks, antiques and books but no TV, car, phone, or mod cons. Now I think I was fortunate because I don’t watch TV, I read and write and love getting out into nature.

Jude at around 15.

I was 17 when I matriculated from Norwood High School and went to teachers’ college. My father had just taken his life.  He had ‘manic depression’ as they called it in those days. I’m sure that if today’s bi-polar medication were available things would have been different.  This was a terribly difficult time for Mum, my brothers and me. I wrote a diary when he died, and it took 20 years before I could read it again. I’d get it out and just put it back again. But eventually, I found I could write about him and his life.

Published: On a Moon Spiced Night, Wakefield Press; Ship Tree, Picaro Press

The Flim Flam Writer

I dropped out of teachers’ college and got a job, ironically, as a writer – for Flim Flam’s Singing Telegrams. I loved this job and often stayed back late on a Friday, writing dozens of ‘telegrams’ for the weekend. The recipient’s family or friend would phone me, and I’d collect information about the ‘victim’, then write a humorous piece to a well-known tune. Our singers dressed up as apes, bunny girls, superman, etc., and delivered the telegrams at parties.

My father had been strict, but my mother was not, so my life changed, and I went out with friends and boys and enjoyed the years before marriage. My two older brothers, Andrew and Robert, were always great friends and we went to lots of things together. I never wrote anything in my 20s, but in my 30s, after my son Giles was born, I began reading contemporary poets like Gwen Harwood, Judith Wright and Sylvia Plath and found an exciting new type of poetry. I loved these contemporary women poets’ voices because they said things that I felt or thought, and their words were powerful, often brave.

I used to make jewellery and sell it in markets. One day there was a palm reader opposite my stall. He read my palm and said I had a ‘poetry fork’, and I should try writing it or studying it. So, I enrolled in the four-year TAFE Ad Dip in Professional Writing. What a great move that was. I learnt much and was fortunate to publish my first book Knifing the Ice during the course. Shortly after, I landed my dream job at the SA Writers’ Centre, where I worked for many years with the brilliant Barbara Wiesner as Director. I also taught at Uni and TAFE. I am so grateful for this chain of events and to everyone who helped me along the way.

And Now?

I’ve had a range of jobs over the years, including Flim Flam’s; the Taxation Dept; Telstra; doctor’s receptionist; apple packer; Central Market cheese seller; Manager at SA Writers’ Centre; Cultural Development Officer for local council; TAFE lecturer; and for many years a part-time accordion seller at Ron Pearce Music. My variety of jobs and experiences has been an asset to my writing.

The Accordian Seller.

Now I earn my living as a freelance writer, editing, mentoring, running workshops and giving talks. I would like to have more time to write but know how fortunate I am to have a career in something I am passionate about. I recently ran workshops at Pembroke Senior School and was thrilled to witness a new generation of imaginative and compassionate poets at work. I love working with people of all ages.

A Beloved Role Model

One of my most loved role models was my grandmother, Nellie Noble/Rerecich/Dunstan/Norton. I loved her spirit of adventure and her respect for nature and remote places. I spent most school holidays with her in different rural towns. She passed on to me an affinity with wide-open spaces and deserts. Nanna was quite nomadic. With her third husband, Bobby, she went around Australia in a little campervan.

Unlike today’s grey nomads, they bought little shacks and homes along the way and stayed a year or two, then moved on. She lived in places like Andamooka, Port Kenny, Lightning Ridge, Cockle Beach, Weeroona Island, Fisherman’s Bay and El Alamein Beach. She loved opal mining and fossicking and had a dugout. She sometimes saw ghosts and loved telling stories about her travels. I am writing her life story. It is on the back burner, along with an almost completed book of South Australian ghost stories.

Jude with daughter Jasmine, mother Joan and grandmother Nellie.

I wrote the poem below ‘Small Town Jetty’ thinking of the many visits to little seaside towns to see Nanna and Bob (he was a loving grandfather to us, although not related). My memories come back to me when I begin to write. I feel so lucky to have such a colourful and interesting grandmother and family. I will never run out of things to write about.

Good Things Along the Way

I am grateful to so many people who’ve helped me on my writing journey, too many to name. Although special thanks go to my faithful feedback friends Louise Nicholas and James Ogilvy. Thanks also to Friendly Street Poets for publishing my first book and to Wakefield and Ginninderra Presses for publishing my books. And thank you, Lindy, for asking me to be part of this blog.

In 2018, I was thrilled to be awarded the Barbara Hanrahan Fellowship, which funded the writing of my forthcoming book, Big Backyard. After my grandmother died, I rarely went into the South Australian outback, but that has changed. My new book is about Adelaide’s big backyard: the north of our state.

Thanks to the fellowship and to my wonderful tour-guide and factual editor, Brenton Stringer, I have taken research trips to Innamincka, Birdsville, Marree and other places, including ghost towns, old graveyards and ruins such as Warrakimbo Woolshed near Hawker. We arrived on sunset, and the fiery light made the ruins and the past come back to life. I know my grandmother would have loved camping with me. If only…

The Warrakimbo Woolshed is located in the Flinders Ranges near Hawker.

Three of My Favourite Poems

I don’t much like housework, but I do enjoy hanging out the washing in my wild garden.

Published: Beauty and the Breast, Garron Publishing

I think that being poor as a child and facing some challenges has made me a stronger person and a more compassionate writer.

I wrote this poem, personifying poverty, for all those who’ve struggled with making ends meet.

Published: Tamba, 2017

I have kept poultry all my life and am greatly rewarded by their daily antics.

Published: Knifing the Ice, Wakefield Press

Jude’s poems, stories and articles have been published in Australia and abroad. Her poetry collections include Beauty and the Breast, Furry Tales, On a Moon Spiced Night and Knifing the Ice. Jude has taught creative writing at Flinders University, TAFE SA and in high schools, community centres, libraries and a prison. In 2018, she was awarded the Barbara Hanrahan Fellowship. She is a freelance writer, editor, teacher and mentor who likes helping people on their writing journeys. Jude lives at Milang on the shores of Lake Alexandrina, where she enjoys gardening, rural life, and collecting old bits and bobs.

Jude’s publications are listed below.

ACKNOWLEDGEMENTS

All stories, poems and photographs remain the copyright of Jude Aquilina.